A layered photographic collage, built from multiple moments, textures and perspectives, this piece is designed to hold attention and reveal detail over time.
Each piece I create is constructed through a process I think of as digital weaving—layering fragments of imagery to build a single, cohesive narrative.
This work draws on the streets and architecture of Manchester, combining structure, texture, and light to create something that sits between photography and fine art.
Unframed Print
Archival-quality fine art paper
Rich detail and colour accuracy
Ideal if you already have a frame or want flexibility
Signed, limited edition, photo-collage by Jack Lloyd
Signed limited edition of only 150
Framed Print (Made to Order)
Available framed in our standard gallery styles
Handmade FSC-certified solid timber frame
Acid-free materials throughout
Optional anti-reflective / UV Art Glass
Built and finished in-house
Other framing styles available on request
Notes
A signed certificate will also be included with each print
All sizes produced from the design are included in the edition limit.
Published editions are limited, which is individually handwritten on each print.
Every framed piece is made using:
FSC-certified solid wood
Acid-free mount boards
Conservation framing techniques
Hand-finished surfaces using natural waxes
No mass production. No shortcuts.
LEAD TIMES
Unframed prints: Dispatched within a few working days
Framed pieces: 2–4 weeks (made to order)
Custom sizes available on request.
DELIVERY / COLLECTION
UK-wide delivery available for unframed pieces
Secure packaging for safe transit
Collection available from the gallery for framed and unframed pieces
Looking for a bespoke version? Get in touch
Handmade in-house
Made to order
Secure UK delivery
Manchester Icon No.48
- Technical Specification
- Delivery
We giclee print each of our fine art prints on 240 gsm archival matte watercolour paper.
A giclee print or fine art print is a term often used to mean a digital reproduction of an original piece of work. They are printed using professional equipment with archival-quality inks.
Each print can last anywhere from 100 to 200 years when properly protected and stored in stable conditions (e.g., not in direct sunlight or in wet, damp, or humid conditions).
We recommend that the print is protected in a frame using an acid-free mount and glazing (UV anti-glare glazing 'True View' or 'True Colour' is highly recommended but not essential).
























